If you're from Rhode Island, you will understand that everyone who resides here is truly connected. When browsing Sydney's website, to my surprise, I found a beautifully drawn black and white photo of my boyfriend, John. Turns out, Sydney and John went to elementary through high school together! Per Sydney's website, she describes her art style as "Magical Realism," and I have to say, I was truly blown away not only by her unique artistic perspective, but her connection to the local scene.
As a self-taught artist myself, there is nothing I love more when folks are able to expand upon their creativity at their own pace, with the support of helpful mentors of course. Sydney states that she has gained experience as an artist through a brief stint at Maine College of Art. But her early career was nurtured by one of her high school teachers, Adam Tracy, where he provided his students with college level exercises. In her personal ventures as an artist, she has learned from a variety of mediums including books, Youtube, and expressive inquests. If the opportunity presents itself, Darrow would however, like to attend private workshops or a speciality school to really hone in on more traditional painting / realism techniques. Though, I do find admiration in those who have the drive to continually improve their work, Darrow already has an advanced level of skill and talent.
Darrow derives inspiration from a number of well-known historical artists like John Singer Sargent, DaVinci, and Edward Hopper. However, Sydney's art was impacted the most by various living artists such as Miles Johnston, Chloe Wise, Katie Butler, and Jon Macregor. As featured above, there are parallels between Wise's Studies Have Shown, and Darrow's Until After. What stands out the most to me is that the texture of the skin in both paintings provides a heartbeat. Each pump of the artery mirrors the impressive life-like brushstrokes that is conveyed in both paintings. However, a main difference between the two is the interplay between hyper-realistic elements and the surreal background.
To provide context on Sydney's decision making process when determining which medium to use, she states, "80% of all my representational pieces stem from an image or scene that popped into my head and left an impression. When I have these thoughts I usually see them either in color or black and white, from there it’s just about how much detail/movement/preciseness I want in the piece." The image featured on the right is a perfect example of Darrow's keen prowess to be inclusive of minor attributes that seamlessly tie into the overall view of the drawing. From the comprehensive elements of the braids to the mystery of the ocean in the foreground, builds upon the magical concepts that are prevalent.
According to the article, "Providence focuses image on creative capital" found in the Worcester Telegram, written by Susan Spencer, former Mayor, Buddy Cianci spearheaded the Providence Renaissance movement, which took place a quarter of a century ago by successfully introducing progressive legislation that provided resources for artists to thrive. Apparently in the 90's, Providence was home to more artists per capita than any other American city! Though there is certainly no shortages of artists in the "Creative Capital," Darrow hypothesizes that folks often look at RISD as the epicenter of art culture. But Sydney states how there are a wide array of groups and galleries like WaterFire, PUBLIC, and Interlace.
Although the Providence art scene has shaped her in many ways, her ambitious intentions will expand past her home base. In the meantime, her original oil painting titled 'Reflections' is on display in the New Voices exhibition at the Warwick Center for the Arts, running through January 22nd to February 15th, with a potluck opening from 6-8PM on February 6th. Follow her Instagram to closely follow her journey, as well as any future events she will be featured at!
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